Monthly Archives: December 2019

The Never-ending Warp

I should title this the never-ending post. I guess I’m gabby when I haven’t talked for a while. 🙂

I originally put this warp on in November 2018. It was a linen/cotton warp with textured cotton weft for a table runner and place mats for my brother and SIL. I ordered way too much of the textured cotton, so I tied another warp on to the existing warp again. Then I re-sleyed it and tied on a wool warp using a cone of yarn that has been in my stash for eons. Liked that so much that I tied on another wool warp. This time using yarns I dyed back in 2017. I re-sleyed it again to 18 epi to use up some more stash yarns that are a linen blend. It makes great yardage for pillows or tote bags. I liked that so much, I tied on more cotton/linen warp to just play with stash yarns as warp. Honestly, I’ve lost count of how many times I’ve tied onto this warp, but it’s a lot. These are the many lives of this warp:

Don’t get me wrong, Broken Twill is a beautiful, classic weave, but I’m over it. Yesterday I changed the tie up to “plain weave.” Because it’s broken twill, it can’t be a true plain weave. The sett is a little open, but I’ve learned to not judge a fabric until I’ve washed it. I think this will make nice napkins. I’m just weaving it as yardage, with no breaks, until the end of the warp… if there is an end to this warp. With every advance I sigh because I can see there’s a lot left.

A couple of things I wanted to point out… I had my son take some pictures of me changing the tie up so you can see how easy it is to change from the top of the lamms. I posted how I converted my counter march looms to this method here. It literally took about two minutes to change the four shaft twill tie up to a two shaft tie up and my shed was perfect. I didn’t need to tweak it at all after the change. Much easier to sit on my little stool and adjust my tie up. I sit on it with one leg out of the loom and one in and I’m very comfortable while doing so. https://jeanelizabethstudio.com/2019/11/15/top-o-the-lamms-tie-up/

The other thing I wanted to show is the cloth beam. Because I’m weaving with all different sizes of wefts, the width of the cloth changes. Some new weavers may not realize that this can wreak havoc on the tension of your selvedges. If the edge of the “new” cloth is narrower than the “old cloth” on your beam, it’ll be fine because it’s supported. If it’s wider it will cause problems because the extra bit of selvedge has nothing to support it so the edges of your warp will be a different tension. You can remedy this by adding warping stick in so that the whole cloth is supported. I also do this when I have a fat roll of cloth on the cloth beam that feels mushy to me. It just stabilizes everything.

I did a few other odds and end fiber related things lately. We lucked out with weather last weekend while camping at the lake near our house. I always bring an inkle loom with me and enjoy the peace and quiet along with the gorgeous views and wildlife. I’m including the draft for the band I’m weaving here. I don’t usually plan these out. I just wind and if I like it, I draft it so I have it if I ever want to weave it again.

I found out about a weaving shop in Comfort, Texas from a fellow fiber friend on Ravelry. Unfortunately, I found out about the shop because they were closing their doors. I met some Rav friends there and as soon as we walked in the door there was a Kromski Minstrel beaming like a light. In my head I thought, “I do not need four spinning wheels.” Of course I said that about dogs once, too…. My husband talked me into it. He didn’t have to convince me very much, but a little and I caved. I let “him” have “his” way. 🙂 All of my wheels have little baskets on them to hold their oil bottles, so I got to work and wove one for this one as well. I learned this technique in the Weaving Within Reach Book and have now done a couple of bowls in cotton cording and a couple of little baskets like these. I used a pint Ball jar for my shape. You can a watch a video of me weaving the basket on my Instagram.

I’ve been knitting a bit as well. I finished the Bousta Beanie and the Shetland Shawl I was working on. I’ll share a picture of the shawl once I build my stretcher and get it washed, but you can see Chico enjoying it’s warmth while I knit it. That silly little dog comes running as soon as I pick up my needles. That’s all fine and well when I’m knitting a shawl or sweater, but when he doesn’t realize the difference in size and tries to climb under a hat I’m knitting…. well… Right now I’m knitting the Symphony Shawl Kit from Sweet Georgia. The colors are stunning!

I Coulda Been a Contender…

As a side note before I even get started, lol. I found a video of Terry Malloy (Marlon Brando) saying that famous line and, as a weaver, my eyes zeroed in on his brother’s scarf. Look at that checked twill! And look at that buffalo plaid jacket… Seriously… hysterical. But I digress… already… Here’s the video so you can see for yourself. https://www.youtube.com/watch?v=uBiewQrpBBA

Anyway… every now and then I have a brilliant idea, usually at about 3am, and I think I’m a genius. Genius, I tell you! And then I find out someone else thought of it before me…. Reminds me of Elizabeth Zimmermann’s un-venting instead of inventing. But still… someone might find these useful:

When working on scarves, I sometimes like to use a Saori Clipping Rod that I bought from Handmade Saori Weaving Studio in Belton, TX, a registered SAORI weaving studio (and Sarah is a joy). It allows me to easily cut off a scarf that I’ve woven and preserve the rest of the warp for future weaving. This is a 10/2 cotton warp on my Baby Wolf and it worked like a charm. If it worked on slippery 10/2, I think it would be even better with 8/2. I had just taken a Saori workshop with Sarah and fell in love with the clipping rod for cutting off woven cloth from the warp, and quickly using the clipping rod instead of tying or lashing on again. I saved the last scarf on the loom to try it out and it worked like a charm. I just had to put some new Texsolv cords in from the cloth beam to hold the clipping rod with the tubing that comes with it and it worked great. I love this thing.

On my Baby Wolf, I just threaded the free end of the Texsolv (not included, but the tubing is. It’s just like fish tank tubing) into the hole on the cloth beam and threaded the dowel through it. I kept my original cords on so I can go back to the traditional rod when I want to.
I’m adding this edit to say that after a while of playing with this, I actually prefer the Vavstuga method that Becky shows in this video:  https://www.youtube.com/watch?v=anH8SNCLg4s.

Glimakra beater holds reed for easy sleying.

When sleying the reed after threading the Glimakra, you can use the beater to hold the reed. I’ve also hung it from the shafts with loops of Texsolv. I find it much easier to sley with the reed flat and pulling the threads through from the bottom. I can see what’s going on much more clearly this way and I’m less apt to miss a dent.

When you unwind a wool blanket from the cloth beam only to realize you forgot to hemstitch the beginning. 🤦‍♀️ I fixed it by pinching one end under the reed and sandwiched the other end between the front beam and cloth rod, holding it all together with clamps. Worked pretty well! 

These coat pegs work great for floating selvedges, broken threads or wherever you need some added weight on a warp thread. I wrap the thread around the main part, a couple of wraps around the bottom hook and then the top hook and good to go. I bought the pegs at Hobby Lobby in the wood section.

Clamps make a great cross holder. I put the rubber band around the clamp and around the end of the warp so it can’t slip out if I have to get up.

These large twist ties from the big box stores make great cross holders for my Glimakra where the clamps won’t fit. They are easy to just squeeze the tops together to lock in the cross when I’m going to leave the loom.

I use hand weights when beaming. Besides giving even tension while beaming, it helps spread out the “V” that is always at the end of beaming because you’re so close to the reed which can cause uneven tension in your warp. This is at the end of the winding when I’ve taken the trapeze off. Before I release the weights and tie onto the front, I step on my treadles to check my shed for obvious errors like crossed threads. Much easier to fix at this point than after you’ve tied everything on. I would imagine that I could even throw a few shots of weft to check threading errors. The tension wouldn’t be great, but it would give an idea at least.

I’m gonna be honest…. I hate using a temple and rarely do. When I go to Homestead Heritage Fiber Crafts I use them because… well… that’s what they do there and when in Rome…. I really despise the wood or metal ones with the pins. I always poke myself and tear up my selvedges. This is one of those places in weaving that you’re either a believer or you aren’t. I’m not and I’ve done miles and miles of cloth that has beautiful selvedges and I haven’t had a broken selvedge thread in years (I’m sure I just jinxed myself). When I do have to use one, this is what I use. Tarp clips available from any place you buy tarps or camping gear, some Texsolv, and little weights I made with scraps of handwoven fabric and a pound of buckshot in each. I put command strip hooks on the sides of my looms and it works great without blood-stained shredded selvedges.