Category Archives: Weaving Tips

A Wool Hug

Last week we flew to New England to see my grandfather. He’s not doing well and I chose to go see him and tell him I love him instead of going to his funeral. His face lit up when he saw us and I knew right then I’d made the right choice. I mentioned in the last post that a few days before we left, I decided I wanted to weave a lap robe for him. I wish I’d done it long before, but time escapes us. He has been the happy recipient of several pairs of knit socks and hats. One very special pair of socks you can read about here. Somehow I managed to go from idea to beautiful blanket in a little over 48 hours. He loved it. It was too warm to stay on him long, but he knew how much love went into it and that’s all it was about. He was quite the hand-crafter himself in his day…. woodworking, lamp making, painting… so he gets it. I left his home sad, but in peace this time. It didn’t hit me until that evening. The sobs came as we began to taxi on the runway for take off as I realized when I returned, he’d be gone, but I know he’s had a full, rich life and he’s ready to join my grandmother.

While weaving the blanket I had to change bobbins every few inches. I learned long ago to spit felt ends together from Elizabeth Zimmermann. When you do it this often, it’s kinda gross, so I came up with this method remembering how I used to do stamps when doing mass mailings. I will add that it’s not necessary to felt the ends together. You could just lay them over each other after reducing some of the plies. This was three ply, so I removed two from one end and one from the other, removing the same length from each, so when they overlap, it’s the same thickness. Felting them together insured they were invisible in the finished blanket.

Inspired by my upcoming trip to Fair Isle, I started a series of towels. I’m calling the first warp Fair Isle Spring. I saw a picture once of the island in Spring. It was green and dotted with little yellow flowers and, of course, surrounded by that gorgeous blue ocean. I had a bunch of odds and ends spools of 8/2 cotton and cottolin in the right colors so I wound the warp randomly. I wound it holding four threads together and when I threaded the loom I just threaded as they came, so it’s symmetrical, but not identical. I kind of wish I’d kept the yellow bits in the fields of green, but whatever. I still love the colors together and it does remind me of that photo which, of course, I can’t find now….

Lashing Bobbin

As I’ve mentioned in other posts, my preferred method of attaching the warp to the cloth rod is by lashing on. For me, it is not only faster, but it uses up barely any warp at all and my hands aren’t killing me when I’m done. If you tie the bouts in small enough sections, 3/4″ or less, you only have to weave about an inch or so to even out the warp and begin your project. When I’m down to the end bits of spools, I wind three together on a bobbin. That’s what I use to lash on or any time I need something strong. I have one at each loom. They last quite a while because I reuse it. After I’ve taken the finished project off the loom I cut off the knots of the lashing thread, knot the ends together and wind it back on the bobbin. The knots have never bothered my lashing on. If it falls in the knot of the warp bout, I just cut and tie it near the cloth rod so that it can still slide around to even out the warp tension.

Reusable Silicone Cable Ties

To lash on, first I tie knots in the end of each 3/4″ or so bout of warp (you can barely see them in this photo – sorry). I’ve been playing with different things to stabilize the cloth rod while I’m tying on. I’ve tried laying it on sticks that span each side of the loom from front to back. They are cumbersome and fall sometimes. I could tie them, but I’m all about faster/easier. I’ve tried using the lash on bobbin to temporarily tie them to the cloth rod. I just threaded it through a couple bouts near the ends and the center and then tied it to the cloth rod. It takes too long and then I have to cut them making it a waste of the threads. I’ve tried these little reusable silicone cable ties (Amazon) a couple of times now and I like them so far. They are easy and they hold as long as you don’t put too much pressure on them. I put one on the left end, one in the center and one just a little to the left of the right side where I start lashing. They are easy to remove with one hand once I get to them. If I pull the tension too tight they do pop, so I just watch that it’s just enough tension and it’s been fine.

Once I get the cloth rod stable, I tie a loop in the end of my lashing thread and pull the bobbin through the loop to attach it to the cloth rod.

Kind of difficult to show one handed, but in this video I explain how I open a shed when I’m lashing on. When you pull the bout and step on a treadle, especially in plain weave, it opens the bout up evenly so you can easily slip the bobbin through it.

I work my way across the warp going through each bout from right to left and then over and around the cloth beam, through the next bout, ect. It doesn’t matter how you do it and I don’t even know for sure if it matters if you’re consistent, but I do it the same way every time. What does matter is that you try to keep the same tension on the lashing on thread all the way across. It doesn’t have to be exact, but close. Tight, but not crazy tight. If you try to do it super tight all the way through, you will hurt your hands. I like to think of it about the same as my warp tension when I’m weaving. Firm, but not a trampoline. Sometimes, after I’ve gone through the first few bouts, I advance the warp just a click or two, but not enough to pop the silicone ties.

After I go through the last bout I wrap the thread a few times around itself on the cloth rod, snip it so that I have enough to tie it off and then tie a knot. Wrapping it around and over itself a few times helps hold it while you tie that final knot. Sort of like wrapping a thread around the last warp peg to hold it while you’re changing threads.

My tension is generally pretty even at this point, but if it isn’t I just push down on the warp where it feels a little tighter with the palm of my hand, push the treadles a few times and that’s all it usually takes. If it still seems a little uneven, I go to the back of the loom and, using the palms of my hands, push down where it feels tighter a few times. I don’t mess with the lashing on string at all. I used to and it used to take me longer to get everything even. I thought I took a video of this process, but it’s not on my phone so here is a picture of everything done and ready to weave. You can’t really see the lashing on, but you can see how little weft it took to close up the warp so that it’s ready to weave. I actually could have stopped sooner, but it was the end of a bobbin, so I kept going. You have to have a header anyway, but there is maybe four inches of waste and my hands don’t hurt at the end. It’s also SO much faster. Once and done. No going back to re-tie. For this warp, I’d say it took me less than ten minutes… probably about five. You can see a photo of a past warp that I lashed on by clicking here.

Hope that helps and answers some questions that were asked of me.

Very little warp waste with lashing on.

The Never-ending Warp

I should title this the never-ending post. I guess I’m gabby when I haven’t talked for a while. 🙂

I originally put this warp on in November 2018. It was a linen/cotton warp with textured cotton weft for a table runner and place mats for my brother and SIL. I ordered way too much of the textured cotton, so I tied another warp on to the existing warp again. Then I re-sleyed it and tied on a wool warp using a cone of yarn that has been in my stash for eons. Liked that so much that I tied on another wool warp. This time using yarns I dyed back in 2017. I re-sleyed it again to 18 epi to use up some more stash yarns that are a linen blend. It makes great yardage for pillows or tote bags. I liked that so much, I tied on more cotton/linen warp to just play with stash yarns as warp. Honestly, I’ve lost count of how many times I’ve tied onto this warp, but it’s a lot. These are the many lives of this warp:

Don’t get me wrong, Broken Twill is a beautiful, classic weave, but I’m over it. Yesterday I changed the tie up to “plain weave.” Because it’s broken twill, it can’t be a true plain weave. The sett is a little open, but I’ve learned to not judge a fabric until I’ve washed it. I think this will make nice napkins. I’m just weaving it as yardage, with no breaks, until the end of the warp… if there is an end to this warp. With every advance I sigh because I can see there’s a lot left.

A couple of things I wanted to point out… I had my son take some pictures of me changing the tie up so you can see how easy it is to change from the top of the lamms. I posted how I converted my counter march looms to this method here. It literally took about two minutes to change the four shaft twill tie up to a two shaft tie up and my shed was perfect. I didn’t need to tweak it at all after the change. Much easier to sit on my little stool and adjust my tie up. I sit on it with one leg out of the loom and one in and I’m very comfortable while doing so. https://jeanelizabethstudio.com/2019/11/15/top-o-the-lamms-tie-up/

The other thing I wanted to show is the cloth beam. Because I’m weaving with all different sizes of wefts, the width of the cloth changes. Some new weavers may not realize that this can wreak havoc on the tension of your selvedges. If the edge of the “new” cloth is narrower than the “old cloth” on your beam, it’ll be fine because it’s supported. If it’s wider it will cause problems because the extra bit of selvedge has nothing to support it so the edges of your warp will be a different tension. You can remedy this by adding warping stick in so that the whole cloth is supported. I also do this when I have a fat roll of cloth on the cloth beam that feels mushy to me. It just stabilizes everything.

I did a few other odds and end fiber related things lately. We lucked out with weather last weekend while camping at the lake near our house. I always bring an inkle loom with me and enjoy the peace and quiet along with the gorgeous views and wildlife. I’m including the draft for the band I’m weaving here. I don’t usually plan these out. I just wind and if I like it, I draft it so I have it if I ever want to weave it again.

I found out about a weaving shop in Comfort, Texas from a fellow fiber friend on Ravelry. Unfortunately, I found out about the shop because they were closing their doors. I met some Rav friends there and as soon as we walked in the door there was a Kromski Minstrel beaming like a light. In my head I thought, “I do not need four spinning wheels.” Of course I said that about dogs once, too…. My husband talked me into it. He didn’t have to convince me very much, but a little and I caved. I let “him” have “his” way. 🙂 All of my wheels have little baskets on them to hold their oil bottles, so I got to work and wove one for this one as well. I learned this technique in the Weaving Within Reach Book and have now done a couple of bowls in cotton cording and a couple of little baskets like these. I used a pint Ball jar for my shape. You can a watch a video of me weaving the basket on my Instagram.

I’ve been knitting a bit as well. I finished the Bousta Beanie and the Shetland Shawl I was working on. I’ll share a picture of the shawl once I build my stretcher and get it washed, but you can see Chico enjoying it’s warmth while I knit it. That silly little dog comes running as soon as I pick up my needles. That’s all fine and well when I’m knitting a shawl or sweater, but when he doesn’t realize the difference in size and tries to climb under a hat I’m knitting…. well… Right now I’m knitting the Symphony Shawl Kit from Sweet Georgia. The colors are stunning!

I Coulda Been a Contender…

As a side note before I even get started, lol. I found a video of Terry Malloy (Marlon Brando) saying that famous line and, as a weaver, my eyes zeroed in on his brother’s scarf. Look at that checked twill! And look at that buffalo plaid jacket… Seriously… hysterical. But I digress… already… Here’s the video so you can see for yourself. https://www.youtube.com/watch?v=uBiewQrpBBA

Anyway… every now and then I have a brilliant idea, usually at about 3am, and I think I’m a genius. Genius, I tell you! And then I find out someone else thought of it before me…. Reminds me of Elizabeth Zimmermann’s un-venting instead of inventing. But still… someone might find these useful:

When working on scarves, I sometimes like to use a Saori Clipping Rod that I bought from Handmade Saori Weaving Studio in Belton, TX, a registered SAORI weaving studio (and Sarah is a joy). It allows me to easily cut off a scarf that I’ve woven and preserve the rest of the warp for future weaving. This is a 10/2 cotton warp on my Baby Wolf and it worked like a charm. If it worked on slippery 10/2, I think it would be even better with 8/2. I had just taken a Saori workshop with Sarah and fell in love with the clipping rod for cutting off woven cloth from the warp, and quickly using the clipping rod instead of tying or lashing on again. I saved the last scarf on the loom to try it out and it worked like a charm. I just had to put some new Texsolv cords in from the cloth beam to hold the clipping rod with the tubing that comes with it and it worked great. I love this thing.

On my Baby Wolf, I just threaded the free end of the Texsolv (not included, but the tubing is. It’s just like fish tank tubing) into the hole on the cloth beam and threaded the dowel through it. I kept my original cords on so I can go back to the traditional rod when I want to.
I’m adding this edit to say that after a while of playing with this, I actually prefer the Vavstuga method that Becky shows in this video:  https://www.youtube.com/watch?v=anH8SNCLg4s.

Glimakra beater holds reed for easy sleying.

When sleying the reed after threading the Glimakra, you can use the beater to hold the reed. I’ve also hung it from the shafts with loops of Texsolv. I find it much easier to sley with the reed flat and pulling the threads through from the bottom. I can see what’s going on much more clearly this way and I’m less apt to miss a dent.

When you unwind a wool blanket from the cloth beam only to realize you forgot to hemstitch the beginning. 🤦‍♀️ I fixed it by pinching one end under the reed and sandwiched the other end between the front beam and cloth rod, holding it all together with clamps. Worked pretty well! 

These coat pegs work great for floating selvedges, broken threads or wherever you need some added weight on a warp thread. I wrap the thread around the main part, a couple of wraps around the bottom hook and then the top hook and good to go. I bought the pegs at Hobby Lobby in the wood section.

Clamps make a great cross holder. I put the rubber band around the clamp and around the end of the warp so it can’t slip out if I have to get up.

These large twist ties from the big box stores make great cross holders for my Glimakra where the clamps won’t fit. They are easy to just squeeze the tops together to lock in the cross when I’m going to leave the loom.

I use hand weights when beaming. Besides giving even tension while beaming, it helps spread out the “V” that is always at the end of beaming because you’re so close to the reed which can cause uneven tension in your warp. This is at the end of the winding when I’ve taken the trapeze off. Before I release the weights and tie onto the front, I step on my treadles to check my shed for obvious errors like crossed threads. Much easier to fix at this point than after you’ve tied everything on. I would imagine that I could even throw a few shots of weft to check threading errors. The tension wouldn’t be great, but it would give an idea at least.

I’m gonna be honest…. I hate using a temple and rarely do. When I go to Homestead Heritage Fiber Crafts I use them because… well… that’s what they do there and when in Rome…. I really despise the wood or metal ones with the pins. I always poke myself and tear up my selvedges. This is one of those places in weaving that you’re either a believer or you aren’t. I’m not and I’ve done miles and miles of cloth that has beautiful selvedges and I haven’t had a broken selvedge thread in years (I’m sure I just jinxed myself). When I do have to use one, this is what I use. Tarp clips available from any place you buy tarps or camping gear, some Texsolv, and little weights I made with scraps of handwoven fabric and a pound of buckshot in each. I put command strip hooks on the sides of my looms and it works great without blood-stained shredded selvedges.

Finish Line!

I wound the first Christmas warp on in mid October. They almost sold out before I even finished weaving, so I wound a 26 yard warp and tied it onto the first warp so I’d have enough to add to the shop. I gave myself a goal of having them completely finished by Thanksgiving so we could have our dining room table (aka the hemming/sewing station) back in time for Thanksgiving dinner. I really can’t believe I did it, but I did! That’s 23 towels and two table runners! Whoop!

For my weaving friends:

hem zig-zagged in with grey thread

I’ve been asked a few times about my hemming process, so I took photos while working on this project. I don’t know why I always feel like I have to say this, but here we are…. this is the way *I* do it. I literally have sewn at least a hundred towels like this and I’ve not had one complaint. I also use my towels in my own kitchen, not just because I like them, but I can learn what works best in hemming, sett, threads by actually using them. I can personally report that not one of my towels has fallen apart.

I’ve tried a lot of other ways. For a long time I used steam a seam tape until I ran out one day and didn’t want to stop and wait until I could buy more. I found out I didn’t need it. I also used to serge the ends of my towels. For a while I serged every one apart and then washed. Then, for a while, I serged the two ends of the long length of fabric into a huge tube, washed and then serged apart. Seriously, I’ve tried a lot of ways. As I’ve stated before I’m either lazy or very efficient and if I can find a short-cut, I will. I’m sure there are other things I tried that I’ve forgotten and who knows, maybe I’ll do it another way a few months from now, but I’ve been finishing my towels like this for at least a year now and I’m happy with it. So here goes….

First big helper… I weave my hems in a different color if I’m weaving plain weave or a different treadling pattern if I’m weaving in twill. If you weave plain weave hems on a twill towel, they’ll splay out and you’ll get those annoying little ears that stick out. If I’m doing an all white towel in plain weave (which is almost never, but that was the case with the Christmas overshot towels last year), I throw two picks in the same shed at the hem line. It just makes it easier.

I weave my hems at 1.5″ and I throw two picks of a different color in between towels. I use leftover bobbins for the hems and the separation picks. When I pull the cloth off of the loom I use a rotary cutter and quilter’s ruler on a mat to carefully cut them apart. I fold them so the cut ends meet in the center and then I fold it over one more time so the cut ends are protected until I’m ready to go to the ironing board.

At the ironing board I get the tabs all ready. I have a basket full of inkle woven bands and can almost always find something that matches, but I had to weave bands for the Christmas towels (darn). I cut the tabs at 4″ and press them into shape so they are ready to tuck into the hems.

Now I’m ready for pressing the hems in. You can see how easy it makes it by doing them in another color. I fold at the change of color line first. I open it back up and fold the end up to the color line I just pressed. To avoid any little ends sticking out, I fold the corners in to the middle pressed line and then press it all down. I tuck in the inkle tab and use clips to hold it in. I repeat on the other end of the towel (minus the tab) and then it’s ready for the sewing machine.

I forgot to take pictures at the sewing machine, but I’ll explain. I almost always use grey thread if I’m not sewing black or white hems. The grey magically blends in. I use a slight zig zag. It helps with the tension and does away with that harsh line that hems can have sometimes. It always hides when your hand isn’t perfectly steady, which really? Who’s is?

I always test a bit on scraps of the same weight of handwoven fabric. When I’m ready to begin, I start sewing on a small square of fabric and then go on to the towel without cutting the thread. If you do this you won’t get the little nests of thread at the beginning of your hems. Likewise, when I come to the end of the hem, I flip the end of that same towel around, so that I can go right on sewing the other hem. When I’m done with one towel, I go right on to the next one without cutting them apart until they are off the machine. I do go back and forth a few times at the beginning and end of each hem to lock it in place.

After sewing the hems, it’s to the washing machine they go. I have a front loader so I make sure that I have it on low spin or it creases the fabric. I dry just until they are dry. Then it’s back to the ironing board for a good pressing and the addition of my label. My current labels are from Dutch Label Shop and have the iron-on adhesive on them already.

corner folded in

Top O’ The Lamms Tie-up

Edited to add on 23 Dec 2019: I added some photos of how easy changing the tie up is with this method in a later post:

https://jeanelizabethstudio.com/the-never-ending-warp/

Also, here is the full play list of the four videos I did: Top O’ The Lamms Tie-Up Playlist on Youtube

I set my Toika up the same way, but used the pin anchors under the treadles instead of the beads. I will switch the beads out on the Glimakra one of these days as they sometimes break.

I didn’t come up with the idea, but I did come up with the cheery title. 🙂 Fitting because it makes me just as happy as the old Bing Crosby song that stuck in my head as I was setting it up. My Glimakra Standard has been this way for almost two years now and the 1987 Toika Liisa just a few months less. I still love it. More importantly, my back loves it.

Shortly after buying my Glimakra, I was down for about six weeks after hurting my back while reaching under the treadles to do a tie up. Around that time I read an article by Katie Meeks in the Oct 2017 Complex Weavers Journal about a tie up system that you do on top of the lamms instead of under the treadles. That got my attention! She gives credit to Kay Faulkner, Sara von Tresckow and Paula Williams. I knew I had to try it. I get for some people under the treadles is easy for them, but I’m 5′ 7″ and tried all kinds of advised positions and tricks and none of them worked for me. Before you read further, please note! This is what I did for my Glimakra Standard and then my Toika. You will have to figure out your own measurements. Please do not just use mine without checking first because your loom may be different and I went on the long side, so if you’re being thrifty with your Texsolv, keep that in mind. It also depends on whether you use beads or anchor pins and don’t forget to take the knot into account. You’d be surprised how much Texsolv a little overhand knot takes up. All that said, I hope this helps because it’s changed my weaving life. For real. I did add photos of all my measurements at the bottom of the post, but please just use them as a starting point.

Template for cutting the Texsolv.

The photos were difficult to see in my hard copy issue, so I went looking and found Kay’s blog post on the subject.

I kind of morphed a few ideas together and this is what I came up with. I made a board with nails 25″apart, but realized I had several pieces that were a little more than double that, so my pieces are 25″ plus 5 “button holes” as noted in picture.

I didn’t want to use as many buttons as Kati did and I had all the pony beads from doing the Vavstuga method, so I used those to secure the ends of the Texsolv under the treadles on my Glimakra. On top of the treadles I inserted a 1/4″ dowel so the loose Texsolv would remain tight to the bottom of the treadle and not be dragging around in the dust bunnies under the loom. I had a problem with the dowels sliding back while weaving, so I stuck an anchor peg behind it. You’ll see later that I did it differently on my Toika. I haven’t changed the Glimakra because it works so why mess with it.

A dowel on top of the treadle keeps the Texsolv from dangling beneath so cleaning is easier. The anchor peg at the end of it is to keep the peg from sliding back.
With the treadle on the floor, I have five inches extra for my Standard. Don’t forget to take knot and looping bead into account!

I fed the Texsolv up through the treadle, up through the corresponding hole in the lower lamm and then the upper lamm. I tied a knot at the top of the cord so it can’t fall back through. The knot holds well and it’s easy to take out if you need to. It also doesn’t scratch or get caught up in the lamms as another bead or arrow pin might.

Kati Meek suggested a low stool in her article. I happened to see one on sale the same day at Hobby Lobby. It’s perfect when I need to tweak in the back under the warp. It’s also a great little shelf to hold things while I’m doing the tie up. Luckily, one of my kitchen chairs is perfect for sitting on to do the tie up from the front. NO BACK ACHE or leg cramps from trying to reach under the treadles. Heaven.

Even if you do the Vavstuga Method, try doing it upside down. You just can’t leave the texsolv cords for the ones you’re not using because the Texsolv will be too short. You’ll have to re-do for each project, but you’re doing that now anyway, so give it a try on your next project. I chose to buy more Texsolv and cut longer cords that I can just leave in my loom. All I have to do from now on is move the anchor pin to the correct position/lamm and I’m done. I do all of this after threading or sleying the reed, but before tying onto the cloth rod. I can sit right at the front of the loom in my kitchen chair and reach everything perfectly. If I need to tweak the shed after I get started weaving, I have the little stool that I put in the back by the treadles and it’s SO MUCH EASIER than trying to reach under the treadles for me. I keep a card on my loom cart that helps me when I do need to tweak the tie up to get a clean shed. It’s at the bottom of this post. Feel free to download and print it. I will note, I worry more about the bottom of the shed than the top of it. As long as my shuttle has room and a flat bottom of the shed to glide along, I’m happy.

A note on the markings: When I set it up, I used the markings on my Vavstuga cords to the new, longer cords by lining up the bead end and then marking the corresponding marks. If I were to do it over again, I wouldn’t put the markings on yet.  I don’t even use the marks on the Texsolv anymore. When you do your first tie up, set your first treadle so that the top of the treadle is even with the bottom of the foot beam. Pin that in place at the furthest back lamm. I do the next one forward at the same and then the next two I go one hole looser and so on. The Texsolv should gradually get looser as you go from the back to the front. Once you’ve woven a few warps and know where you like your treadles, you can mark them if you want. I honestly pay no attention to the markings anymore. I have had a perfect shed first time almost every time, but when I do have to tweak the tie up, it’s so much easier to get to it on top of the lamms instead of under the treadles. I wouldn’t worry about marking the Texsolv at first.

One thing that concerned me is what would happen with the shafts that I wasn’t using. Say I’m only using 4 of the 8 shafts currently on my loom. To balance them I attached them to the two plain weave treadles as if they were part of the pattern. It doesn’t affect my shed at all. I just wanted to see if I could truly leave the cords on “permanently” without having to worry about it when I switched between 4 and 8 shaft drafts and I’m happy to report I do it all the time.

I did a couple of videos that might help. I messed up the placement of the anchor pins in this first video. I forgot it was upside down. The second video corrects it. I’ll state again what I did above… if I had it to do over again, I wouldn’t worry about marking the Texsolv until you’ve woven a bit and know exactly where you want them, but that’s your choice:

In the pictures I’m using arrow pins. You can see in the video I’m now going to use the anchor pins, but I honestly don’t think it matters. Either works just fine.

Here are the measurements I used. PLEASE NOTE! This is on my loom, a 2014 Glimakra Standard with 8 shafts and 10 treadles and set to where I like the treadle height to be. Please just use this as a starting point to figure out your own set up.

Quick sketch of my Texsolv

When I did my Toika Liisa a few months after the Glimakra, these measurements wouldn’t work. I didn’t use beads under the treadles. I used anchor pins. I don’t change them, I still change the ones on the tops of the lamms, but I like them holding the Texsolv under the treadle because it stays put without a dowel on top of the treadle and the ends aren’t dangling on the floor when not in use. Just makes it harder to sweep under the loom when all those danglies are there. 😉

Look at that clear view to do the tie up!


Here is the cheat sheet I have by my looms. I step on a treadle, look down the shed from the side. When I see threads that look higher or lower, I wiggle the shafts up and down and watch the threads to see which ones need to be adjusted and then use this chart to make adjustments to that treadle. It’s easier if you have someone to step on the treadle for you, but I’ve done this alone many times:

Splice, Splice, Baby….

A handwoven towel wrapped around a bottle of great wine would be an awesome gift to give to a hostess or friend!

The Christmas towels in the last post sold out before I even finished weaving them, so I tied on another warp of them. A very long warp of 26-ish yards this time. Now those are selling fast, so if you’d like to pre-order please reach out. I quickly learned that was going to be a weaving issue, so I changed to just a plaid band on each end of each towel. And then, of course, I had to revert to just playing with Color and Weave because it’s what I love.

For my weaving friends… The Christmas Towels started out as an all-over plaid design. Oh, how naive I was. It didn’t take me long to realize that was going to be a problem. You can not make that many color changes, tucking in the ends as you normally would, without your fell line getting all out of whack. An occasional tucked in end, where it doubles the thread at the end of a bobbin or a color change here and there, is not a problem. If you are changing colors as often as you do in a plaid and just tuck in the ends, you are adding a lot of extra doubled threads to your selvedges, but the center of the cloth stays in single threads in each shed. That doesn’t add up and you will quickly start noticing that your fell line is curving up on the selvedges. Of course, if you’re weaving yardage where the selvedges don’t matter, you can just leave the ends at the color changes hanging out to clip off after wet finishing. If you’re working on a plaid in wool, you can do the same because the wool will somewhat felt together.

In a towel though, you have to do something about those ends to keep the integrity of your cloth. Unfortunately, that something is splicing and it takes a great deal of time. It suddenly makes the sale of a towel with an all-over plaid just not worth it. I am working on a custom 70″ table cloth. I can’t just have one band of plaid on each end on that much of a length of fabric. It wouldn’t be proportioned right. I need to do several bands of the plaid on each end, so I learned to splice. I’m getting quicker at it, but a band of plaid takes me about twice as long to weave, but I do love the effect. Here’s how I do it (Click on pic to make it larger):

Edited to add: I shared my info on the Rav Warped Weavers thread and a kind soul told me about a method for two pick stripes, like the gold stripe in my plaid border. Instead of having two splices on the selvedge (which end up on the same side), you can achieve one splice in the center portion of of the towel (doesn’t have to be dead center). I threw the first pick leaving tails long enough on either side to meet in the middle. I then changed sheds, layed the weft ends in by hand and then pulled them back out to separate the plies and placed them back in the shed on top of each other. Worked like a charm and will keep extra bulk off the selvedge. I think with practice it’ll also be a little quicker. Funnily enough… I learned this once before… It’s in Janet Dawson’s Floor Loom Weaving class on Craftsy (now Blueprint). I purchased it in June 2013. It’s an excellent class for beginners and maybe this experienced weaver needs to go back and rewatch. lol Here’s how I did the 2 pick splice pictured above:

If you are still here and would like the wif file for the towels, send me an email and I’ll send it to you. WordPress won’t allow me to add the file here. If you don’t want to wait for the .wif it’s plain weave, so that’s simple enough. The color order is:

Christmas Plaid Warp 2019  G=Green R=Red = O=Gold (Oro) W=White

19G / 4R / 2O / 4R

4G / 2W – 2G 4x / 2G / 4R / 2O / 4R / 22G / 4R / 2O / 4R

4G / 2W – 2G 4x / 2G / 4R / 2O / 4R / 22G / 4R / 2O / 4R

4G / 2W – 2G 4x / 2G / 4R / 2O / 4R / 22G / 4R / 2O / 4R

4G / 2W – 2G 4x / 2G / 4R / 2O / 4R / 22G / 4R / 2O / 4R

4G / 2W – 2G 4x / 2G / 4R / 2O / 4R / 22G / 4R / 2O / 4R

4G / 2W – 2G 4x / 2G / 4R / 2O / 4R / 19G

Christmas Towel Tabs

Inventive Warp Winding

Christmas towels are coming soon to the shop. I’m weaving three of each style, but several are already spoken for. I wound traditional colors, but am trying different things in the weft. I have a friend that is fond of turquoise, hot pink and a little lime green. I forgot about the turquoise, but tried lime green and hot pink which are actually working (it reads purple in the picture, but trust me, it’s hot pink). It never ceases to amaze me how warp and weft colors work together.

Broken Twill – Cottolin warp – marled cotton weft – shuttle by KCL Woods

I’m still working on the forever warp of broken twill on the big Swedish girl. Found a black/grey cotton to try as a weft that looks amazing in the cloth. It actually looks like an old wool tweed jacket. It’s been fun, but after over a year of weaving the same threading, I’m really ready for that warp to be done. Time for something new on the Glimakra. I’m trying very hard to stick to a new rule for myself, I never let a loom sit empty. If I do, it’s empty for weeks. My new practice since working on opening the shop is to have a warp ready to go on it before I finish weaving the previous project, then I start getting the new project on right away.

For my weaving friends: When I wind my warps, I use a lot of different methods for holding the yarn. It all depends on what the yarn is packaged on, cones, spools, tubes or cakes.

This one works well when I’ve wound off thread to the cardboard spools that have ends on them. When I buy the bohonkin’ cones of yarn, I can buy just one and wind off on these spools so that I can wind a warp with multiple threads. Really, this is also the answer for those expensive yarns that you don’t want to buy several cones of. You can just wind them off onto these spools. I can’t stand them up on my regular spool rack that feeds off the top because the cardboard ends stop the thread from feeding off properly. The cardboard ends demand horizontal feeding, so this is my answer…. My portable “winding station” works a treat. It’s just a couple of clamps, some small dowels that will fit in the tubes and Texsolv. Works great and takes no room when stored. I will add that larger dowels add a little friction, but still allow the tubes to move freely, will add a little helpful even tension so things don’t just start free-wheeling and get out of hand when you start winding.

So what if I’m using cones you ask? Ta-da! Another multi-purpose, inexpensive tool… When doing cones, I clamp up my homemade raddle with eye hooks, line the cones up under and feed the threads up through the eye that is directly over each cone. You could do the same by just adding a few eye hooks to a small board, but I had the raddle already. I never use it as a raddle any more as I rough sley using a reed now, but I digress…. My raddle came from Peggy Osterkamp’s Special Raddle Plans.

Raddle clamped to my doorway with cones on the floor. The thread is brought directly up from the cone and then through the eyelet directly over the cone and then to the mill. The thread feed directly off the cones with no tipping this way. It’s basically a giant cone stand that stores away easily.
Winding from horizontal spools in mini crates

This is another way I do tubes of thread. To be honest, this is the way I usually do it now, but the doorway Texsolv “station” I wrote about above is always an option and some might like it better.

These mini milk crates are ‘da bomb… I love multi-purpose tools and at $1 each… it’s hard to beat. They make great spool holders for winding bobbins, warp winding from tubes or spools and they’re great for storage. Chico is making sure I’m doing things right.

The nice thing about the crates is they are easy to park on the warping mill when you are winding a bunch of colors and don’t want to cut/tie every time. I wind the thread(s) around the warping peg a couple of times and then park the crate on one the cross beam of the mill. You can park your yarns on a mill a bunch of other ways, too. In the pictures below, you can see that I’ve clamped the crate with the yarns I’m warping as is, simply clamping a crate to the mill, you can just drop the cone or tube in, you can clamp the thread directly to the mill. Lastly, I had an old warping board that I’d built in my early weaving years. It was made of parts from old loom treadles. The cones fit nicely on the dowels, but I had to add screws as posts for the tubes to sit on. This was a little heavy and I could feel it as I wound the warp, but made from a lighter wood, it was handy:

And when no one is handy when it’s time to wind the warp on, my trusty trapeze is ready to help. Everyone else seems to disappear….

Warping Trapeze

Mini Crates to hold spools for bobbin winding

I can see clearly now…

I finished weaving the towels I started in the last post. They are gorgeous. I am totally digging this whole boucle thing. It adds a lot of beautiful texture and heft to the towels without making them overly heavy. I should be taking them off the loom today and getting them hemmed this weekend. I’m just weaving up the last bits of old warps that I’d tied onto. There’s a lot of memories as I advance the warp.

For my weaving friends:

Glimakra with LED light strips added

I love this lighting that I added to my Glimakra and Toika looms a few years ago. Fantastic light, zero heat, inexpensive and they are still putting out plenty of light. I bought a piece of corner trim from the hardware store and a couple of L brackets. The lights are 1/4″ sticky backed tape and I ran them down the length of the trim and then gave a soft twist like a ribbon to run it back the other way. This way I had two rows of lights. I used command strips to attach the L brackets to the loom and to attach the trim with the lights to the L brackets. It gives off fantastic light and you can’t get much cheaper. The best part is that it looks like a part of the loom. I’m sure on other looms you can just stick the lights to a part of the castle. This is the light set I used:  https://www.amazon.com/gp/product/B00MHLIFO8

Lights Splitter
Splitter

With this splitter I now have the strip on the countermarch and the doubled one on the trim across the front connected together. Perfection. https://www.amazon.com/gp/product/B00G6G5DJ0

Here’s a video I shot when I first put them on the Toika.

I have since added an on/off switch so I don’t have to plug/unplug them. https://www.amazon.com/gp/product/B01FT4RBBM/ref

Catching Up

A great first week for the shop! So much so, I need to get busy to get stock back up. I cut the custom Three Sisters Scarves off the Baby Wolf, but there is still another scarf or cowl worth of warp to weave off there. Just need to tie back onto the front rod and get going. Here’s the glamour shots of the commissioned Three Sisters Scarves:

Golden Harvest Warp

I wound this gorgeous warp that I’m calling, “Golden Harvest” in my favorite “winging it” Color and Weave. The first two towels were woven in teal with some orange stripes on each end and the second two are brown on the ends with orange and brown stripes in the center. I can’t tell you the joy it gives me to weave these towels. I kind of get in a rut with the 2×2 or 4×4 stripes in the weft, but I just love weaving them. They are relaxing to weave and end up being so beautiful in the end. I honestly don’t think I can go wrong no matter what color I choose for the weft.

I’m still working on the dornick twill warp on the Glimakra. I’ve woven some yardage with a linen blend yarn that will be suitable for pillows or tote bags. I got bored with that so am weaving a few more towels like I did on the last warp that I tied this one on to. They are simple weaving, but have that farmhouse looks that’s so popular right now.

For the Weavers out there, I wanted to point out a little tip that’s helpful to me. When I’m doing hems on towels, I like to either use up leftover bobbins or I’ll do a different pattern like in the twill above. You’ll notice it’s a point twill treadling at the bottom part of the photo. That’s my hem. It makes it very easy when pressing the hems before sewing to see what’s what. In my color and weave towels like below, the different colored hems add interest and make it very clear when the fold line is for the hem. It’s a nice way to use up odds and ends of bobbins as long as I have enough for each end.

Another little tip is when I’m hand-hemming as I am with this custom table runner, I use Burt’s Bees lip balm to condition my thread. I always have a tube in my little hemming box and it works well. I just place the thread on top of the balm with my thumb lightly on top of the thread. Then I pull the thread through a couple of times and it’s nicely conditioned. If I don’t do this I get snarls and knots all through it.

Burt’s Bees Lip Balm makes a great thread conditioner.

It costs *how* much?!

Since the shop is opening next week, I thought this was a good time for this subject. Something a lot of weavers struggle with is pricing. It may be a shock to some, but I thought if I share what it takes to weave a piece of cloth, pricing would be better understood. If I could weave and give everything away, I would. I wish I could, but it’s an expensive hobby. The equipment is very expensive, the education can be expensive and the threads and yarn are a lot more than you’d think, especially since I’m using high quality thread and a lot of hand-dyed warps (the threads that go on the loom). Then there’s time and skill. Like software engineering or plumbing, it’s a skill and that skill took time and practice to learn. That alone deserves compensation. It amazes me when someone will spend $100 on a mass produced shirt because it has a certain name or emblem on the chest, but they think a handwoven scarf should be $25 because it’s “hand made.” Especially when using hand dyed warps or silk, the yarn to weave the scarf cost more than that. A couple of years ago I documented the steps involved in weaving some towels to show just how much work is involved. These are the Dorothy Towels that I wove in March 2017. This is a fairly simple project, but you can see how much work it takes from planning to towel.

First, the planning…. I believe that if I’m going to put this much time into hand weaving cloth, I’m going to use the highest quality thread I can. These threads are Egyptian cotton milled in Sweden by a company called Bockens. The colors are glorious and light-fast and the thread is top quality. It produces wonderful thirsty towels. Tracy Kaestner (Lone Star Loom Room) and I chose these colors together.

Doing a wrap sample to see how the colors will work. This only gives you an idea. Once you introduce the weft (the thread on the shuttle that you weave with) it can completely change the look.

Then I enter the draft into my computer program so that I can play with the design and colors.

fiberworks
Image from my weaving program called Fiberworks

I then wind the warp. The warp are the threads that go on the loom. The warping mill keeps all those threads in order. The pattern calls for a 13-yard warp for 12 towels. I wound 14 yards. It’s more work to get the project on the loom than it is to actually weave, so I always put a longer warp on. I’d have gone longer if I had more of the required thread. Like most weaving tools, the warping mill is an expensive piece of equipment, but worth every cent for the wear and tear it saves my body. Kind of mind boggling that my fingers touch every single thread several times, but in winding the warp, my fingers touch every single inch of every single thread. This is 491 threads that are 14 yards long… kinda cool….

Rough sleying the reed

The threads are drawn through the reed so the project will be the desired width. This is called rough sleying. I’ll do it again later at a finer rate that sets how many threads I want per inch. The two sticks (lease sticks) running through the threads at the top of the photo are what keep the “cross” (between the sticks) and keep the threads in order, which is imperative to the process. I formed the cross while winding the warp on my mill. Should have taken a picture of that, but didn’t think of it at the time.

Winding on to the back beam… I warp back to front unless I’m using a hand dyed warp, then I warp front to back so I can design at the reed. I usually have a “volunteer” to hold the warp, but I used books to weight it this time. Keeping tension on the warp is what makes it behave. If you get tangles in a 14-yard length of 491 threads… that’s a huge waste of money. Thread is expensive. It’s also a giant headache and kind of ruins the calming effect weaving has on me. 😉 A round of sticks are inserted every fourth round on the back beam so that the threads don’t bite into each other causing tension problems when you weave.

Threading the heddles per the draft.

Threading time… I used to dread this step as a beginner. I’ve learned some tips and gained a lot of confidence over the years. The biggest breakthrough was that it doesn’t have to be done all at once. I usually finish in a couple of sittings, but there have been times when life was busy that it took several days to get the threading done in bits and pieces. This warp had 491 threads and a more difficult threading sequence than some. Per the draft (pattern), the threads are threaded through the eyes of the heddles. On this loom I have Texsolv heddles. I don’t need a hook to thread and I enjoy these much more than the metal heddles I have on one of my smaller looms. Another tip I’ve learned is to check and recheck my threading every couple of inches worth of thread or after so many repeats. I still find errors now and then when I start weaving, but I usually catch them before it’s a big deal.

Now it’s time to sley the reed for the final time. I know. It sounds funny. Perhaps some medieval weaver likened dressing the loom to fighting a dragon. It’s not as awful as it sounds. It’s actually kind of relaxing unless you make a mistake that you don’t catch before you start weaving. The reed holds the cloth at the desired width and the threads at the desired threads per inch to have an even cloth. This is a 12 dent reed. I’m placing two threads in every slot, which puts them at the required 24 threads per inch. Pretty standard sett for the size of cotton I’m using in a twill draft. The two white threads on the far left are just temporarily holding the reed steady on that end while I work my way across from right to left.

Ready to tie on to cloth rod.

I learned this method of tying on at Vävstuga, the Swedish Weaving School in Massachusetts. I thought I loved it at first, but it was puppy love and we’ve since broken up. I’m going steady with my old way of lashing on (those medieval weavers sure were brutal…). It’s my favorite and I like to give things a try, but lashing on saves thread and it’s just easier to get even tension and get going… at least for me. Every weaver has their reasons and their favorites. This is lashing on. It’s quick, easy and saves thread:

Lashing the warp onto the cloth rod

You might think we’re ready to start weaving now. Nope. Not quite yet.

Setting the pattern on the treadles.

Now we have to set the pattern to the treadles so the pattern will magically appear as you treadle and weave. When I first bought this loom I nearly threw my back out trying to do this. Seriously. It was a lot of climbing under the loom in unpleasant positions tweaking and tweaking until I finally got it right. I have since changed the way I have this loom and the smaller loom from Finland set up. I can make all the changes on top (where the black and white beads are) instead of underneath the treadles. SO. Much. Easier. For any Weavers with a countermarch loom, if you’re interested in what I did, all the deets are here on my Ravelry page. It’s been a while since I did it, so you’re really going to have to rely on what I wrote and the videos I did.

Now we check to make sure we have a clean, open shed … and we do! Actually, the top isn’t great, but I only worry about the bottom. It needs to be flat so the shuttle can glide across without getting caught up or picking up the wrong threads. I do a little happy dance in my head when the shed is clean on the first look.

This is a beautiful site. A clean, open shed.

And finally the fun begins. The actual weaving is actually the shortest part of the process. If I change the way the treadles are tied up, I can change the patterns. I’ve worked all this out previously in my computer program. I can also change it just by treadling a different way.

So there you have it…. a lot goes into a piece of woven cloth. What seems tedious to some is very calming to my OCD mind. And pulling that cloth off the beam at the end of a warp is so satisfying to me.

If only it ended when I pulled the cloth off the loom. There’s still plenty to be done. It all needs to be finished. Everything gets washed, either by hand or in the machine, depending on the fabric. Everything gets pressed. Scarves get fringes twisted. My towels, for now at least, all have a little handwoven tab added to the hem. I weave these on small inkle looms when we’re traveling or I just need to keep my hands busy.

And finally… there’s the photography and admin work of getting it all posted online. Truth be told, this probably takes me longer than all the rest of it. It’s a lot of work, but I love it all. Okay… I’m lying. I don’t love the ironing part. 😉