Category Archives: Warping

A Wool Hug

Last week we flew to New England to see my grandfather. He’s not doing well and I chose to go see him and tell him I love him instead of going to his funeral. His face lit up when he saw us and I knew right then I’d made the right choice. I mentioned in the last post that a few days before we left, I decided I wanted to weave a lap robe for him. I wish I’d done it long before, but time escapes us. He has been the happy recipient of several pairs of knit socks and hats. One very special pair of socks you can read about here. Somehow I managed to go from idea to beautiful blanket in a little over 48 hours. He loved it. It was too warm to stay on him long, but he knew how much love went into it and that’s all it was about. He was quite the hand-crafter himself in his day…. woodworking, lamp making, painting… so he gets it. I left his home sad, but in peace this time. It didn’t hit me until that evening. The sobs came as we began to taxi on the runway for take off as I realized when I returned, he’d be gone, but I know he’s had a full, rich life and he’s ready to join my grandmother.

While weaving the blanket I had to change bobbins every few inches. I learned long ago to spit felt ends together from Elizabeth Zimmermann. When you do it this often, it’s kinda gross, so I came up with this method remembering how I used to do stamps when doing mass mailings. I will add that it’s not necessary to felt the ends together. You could just lay them over each other after reducing some of the plies. This was three ply, so I removed two from one end and one from the other, removing the same length from each, so when they overlap, it’s the same thickness. Felting them together insured they were invisible in the finished blanket.

Inspired by my upcoming trip to Fair Isle, I started a series of towels. I’m calling the first warp Fair Isle Spring. I saw a picture once of the island in Spring. It was green and dotted with little yellow flowers and, of course, surrounded by that gorgeous blue ocean. I had a bunch of odds and ends spools of 8/2 cotton and cottolin in the right colors so I wound the warp randomly. I wound it holding four threads together and when I threaded the loom I just threaded as they came, so it’s symmetrical, but not identical. I kind of wish I’d kept the yellow bits in the fields of green, but whatever. I still love the colors together and it does remind me of that photo which, of course, I can’t find now….

Lashing Bobbin

As I’ve mentioned in other posts, my preferred method of attaching the warp to the cloth rod is by lashing on. For me, it is not only faster, but it uses up barely any warp at all and my hands aren’t killing me when I’m done. If you tie the bouts in small enough sections, 3/4″ or less, you only have to weave about an inch or so to even out the warp and begin your project. When I’m down to the end bits of spools, I wind three together on a bobbin. That’s what I use to lash on or any time I need something strong. I have one at each loom. They last quite a while because I reuse it. After I’ve taken the finished project off the loom I cut off the knots of the lashing thread, knot the ends together and wind it back on the bobbin. The knots have never bothered my lashing on. If it falls in the knot of the warp bout, I just cut and tie it near the cloth rod so that it can still slide around to even out the warp tension.

Reusable Silicone Cable Ties

To lash on, first I tie knots in the end of each 3/4″ or so bout of warp (you can barely see them in this photo – sorry). I’ve been playing with different things to stabilize the cloth rod while I’m tying on. I’ve tried laying it on sticks that span each side of the loom from front to back. They are cumbersome and fall sometimes. I could tie them, but I’m all about faster/easier. I’ve tried using the lash on bobbin to temporarily tie them to the cloth rod. I just threaded it through a couple bouts near the ends and the center and then tied it to the cloth rod. It takes too long and then I have to cut them making it a waste of the threads. I’ve tried these little reusable silicone cable ties (Amazon) a couple of times now and I like them so far. They are easy and they hold as long as you don’t put too much pressure on them. I put one on the left end, one in the center and one just a little to the left of the right side where I start lashing. They are easy to remove with one hand once I get to them. If I pull the tension too tight they do pop, so I just watch that it’s just enough tension and it’s been fine.

Once I get the cloth rod stable, I tie a loop in the end of my lashing thread and pull the bobbin through the loop to attach it to the cloth rod.

Kind of difficult to show one handed, but in this video I explain how I open a shed when I’m lashing on. When you pull the bout and step on a treadle, especially in plain weave, it opens the bout up evenly so you can easily slip the bobbin through it.

I work my way across the warp going through each bout from right to left and then over and around the cloth beam, through the next bout, ect. It doesn’t matter how you do it and I don’t even know for sure if it matters if you’re consistent, but I do it the same way every time. What does matter is that you try to keep the same tension on the lashing on thread all the way across. It doesn’t have to be exact, but close. Tight, but not crazy tight. If you try to do it super tight all the way through, you will hurt your hands. I like to think of it about the same as my warp tension when I’m weaving. Firm, but not a trampoline. Sometimes, after I’ve gone through the first few bouts, I advance the warp just a click or two, but not enough to pop the silicone ties.

After I go through the last bout I wrap the thread a few times around itself on the cloth rod, snip it so that I have enough to tie it off and then tie a knot. Wrapping it around and over itself a few times helps hold it while you tie that final knot. Sort of like wrapping a thread around the last warp peg to hold it while you’re changing threads.

My tension is generally pretty even at this point, but if it isn’t I just push down on the warp where it feels a little tighter with the palm of my hand, push the treadles a few times and that’s all it usually takes. If it still seems a little uneven, I go to the back of the loom and, using the palms of my hands, push down where it feels tighter a few times. I don’t mess with the lashing on string at all. I used to and it used to take me longer to get everything even. I thought I took a video of this process, but it’s not on my phone so here is a picture of everything done and ready to weave. You can’t really see the lashing on, but you can see how little weft it took to close up the warp so that it’s ready to weave. I actually could have stopped sooner, but it was the end of a bobbin, so I kept going. You have to have a header anyway, but there is maybe four inches of waste and my hands don’t hurt at the end. It’s also SO much faster. Once and done. No going back to re-tie. For this warp, I’d say it took me less than ten minutes… probably about five. You can see a photo of a past warp that I lashed on by clicking here.

Hope that helps and answers some questions that were asked of me.

Very little warp waste with lashing on.

Shetland and Back Again…

I hope everyone had a wonderful Holiday Season and is ready for the New Year!

Shetland 1997

Both times we visited Shetland I bought a lot of yarn. The first time we went Daniel was a baby, so we brought a duffle bag full of diapers that went back to Germany stuffed with yarn. The second time we went (posts are here, here and here) there were no pretenses…. I brought an empty duffle bag to be stuffed with yarn and it was…. a lot of yarn and two fleeces from Jamieson’s and Smith in Lerwick.

Flying into Fair Isle 2006

With the trip back to Shetland in a few months I decided I wanted to take some of that yarn back in the form of a Shetland Shawl. I finished knitting Elizabeth Zimmermann’s Stonington Shawl a few weeks ago. I almost had a little glitch. I knew I was going to be playing yarn chicken and this time I lost. By a hair. I crossed my fingers and placed an order from Wool Warehouse in the UK and the yarn I needed was here in about a week. I lucked out. Now that the shawl is finished, I can not tell where the yarn purchased 13 years ago and the new yarn changes over. Crazy.

I used the plans from Kate Davies’s blog to build a stretcher. That was the easy part. I’m glad there’s no video of me trying to get the shawl onto the thing. lol. It was like wrestling with a slick pig. Getting that shawl onto that thing was no easy task, but I won. And then the wind hit, took it down and knocked the shawl off of the frame a couple of minutes later. Grrr. It was dry by now, so I got it back on frame, sprayed it with the hose to get it wet again which allowed me to adjust it because it stretched more. It wasn’t perfect, but it served it’s purpose. The lace points are beautiful and the knitting is blocked and set. The difference between before/after blocking is incredible. And let me tell you, those Shetlanders knew what they were doing. It is so light and airy, but incredibly warm and will be so welcome on chilly evenings when I’m staying at Fair Isle Studio.

You can see lots historical photos of shawls and women dressing them on frames at the Shetland Museum’s website and on Jamieson and Smith’s website.

I finished up the Tencel warp that I wove the set of twill scarves on. Had I known there was only a cowl’s worth left on it, I’d have finished it sooner. I’m getting the looms ready for more weaving to restock the shop. So thankful for all the support and that the shop is almost empty. I have a special project I’m working on for my grandfather first and then I’ll get back to shop weaving next week.

I tied on a few leftover warps that I dyed a few years ago. These bits were leftover from shawls I wove in 2017. I had to wind another warp to fill in as there weren’t enough ends for the 200 thread dummy warp on my Baby Wolf. I chose a pretty blue solid tencel. More pictures on that later.

I want to leave you with one little tip, but it’s a goodie. While I was tying that hand dyed warp on I remembered this handy trick for holding the cross. I’m almost positive I learned it from Weaver’s Craft in my early weaving years. It’s very handy and all weavers have thread on hand. I especially like this trick when I have multiple threads in each cross group. When I wound these warps before dyeing them, I held six threads. They stick together a lot and that spells irritation when holding the cross in your hand or the other ways I usually do. You can see in the photo here that thread is used to hold the cross. At each loom I have a bobbin full of multiple threads that I use for lashing on or whenever I need something strong. That is what I used here.

Until next time….

I Coulda Been a Contender…

As a side note before I even get started, lol. I found a video of Terry Malloy (Marlon Brando) saying that famous line and, as a weaver, my eyes zeroed in on his brother’s scarf. Look at that checked twill! And look at that buffalo plaid jacket… Seriously… hysterical. But I digress… already… Here’s the video so you can see for yourself. https://www.youtube.com/watch?v=uBiewQrpBBA

Anyway… every now and then I have a brilliant idea, usually at about 3am, and I think I’m a genius. Genius, I tell you! And then I find out someone else thought of it before me…. Reminds me of Elizabeth Zimmermann’s un-venting instead of inventing. But still… someone might find these useful:

When working on scarves, I sometimes like to use a Saori Clipping Rod that I bought from Handmade Saori Weaving Studio in Belton, TX, a registered SAORI weaving studio (and Sarah is a joy). It allows me to easily cut off a scarf that I’ve woven and preserve the rest of the warp for future weaving. This is a 10/2 cotton warp on my Baby Wolf and it worked like a charm. If it worked on slippery 10/2, I think it would be even better with 8/2. I had just taken a Saori workshop with Sarah and fell in love with the clipping rod for cutting off woven cloth from the warp, and quickly using the clipping rod instead of tying or lashing on again. I saved the last scarf on the loom to try it out and it worked like a charm. I just had to put some new Texsolv cords in from the cloth beam to hold the clipping rod with the tubing that comes with it and it worked great. I love this thing.

On my Baby Wolf, I just threaded the free end of the Texsolv (not included, but the tubing is. It’s just like fish tank tubing) into the hole on the cloth beam and threaded the dowel through it. I kept my original cords on so I can go back to the traditional rod when I want to.
I’m adding this edit to say that after a while of playing with this, I actually prefer the Vavstuga method that Becky shows in this video:  https://www.youtube.com/watch?v=anH8SNCLg4s.

Glimakra beater holds reed for easy sleying.

When sleying the reed after threading the Glimakra, you can use the beater to hold the reed. I’ve also hung it from the shafts with loops of Texsolv. I find it much easier to sley with the reed flat and pulling the threads through from the bottom. I can see what’s going on much more clearly this way and I’m less apt to miss a dent.

When you unwind a wool blanket from the cloth beam only to realize you forgot to hemstitch the beginning. 🤦‍♀️ I fixed it by pinching one end under the reed and sandwiched the other end between the front beam and cloth rod, holding it all together with clamps. Worked pretty well! 

These coat pegs work great for floating selvedges, broken threads or wherever you need some added weight on a warp thread. I wrap the thread around the main part, a couple of wraps around the bottom hook and then the top hook and good to go. I bought the pegs at Hobby Lobby in the wood section.

Clamps make a great cross holder. I put the rubber band around the clamp and around the end of the warp so it can’t slip out if I have to get up.

These large twist ties from the big box stores make great cross holders for my Glimakra where the clamps won’t fit. They are easy to just squeeze the tops together to lock in the cross when I’m going to leave the loom.

I use hand weights when beaming. Besides giving even tension while beaming, it helps spread out the “V” that is always at the end of beaming because you’re so close to the reed which can cause uneven tension in your warp. This is at the end of the winding when I’ve taken the trapeze off. Before I release the weights and tie onto the front, I step on my treadles to check my shed for obvious errors like crossed threads. Much easier to fix at this point than after you’ve tied everything on. I would imagine that I could even throw a few shots of weft to check threading errors. The tension wouldn’t be great, but it would give an idea at least.

I’m gonna be honest…. I hate using a temple and rarely do. When I go to Homestead Heritage Fiber Crafts I use them because… well… that’s what they do there and when in Rome…. I really despise the wood or metal ones with the pins. I always poke myself and tear up my selvedges. This is one of those places in weaving that you’re either a believer or you aren’t. I’m not and I’ve done miles and miles of cloth that has beautiful selvedges and I haven’t had a broken selvedge thread in years (I’m sure I just jinxed myself). When I do have to use one, this is what I use. Tarp clips available from any place you buy tarps or camping gear, some Texsolv, and little weights I made with scraps of handwoven fabric and a pound of buckshot in each. I put command strip hooks on the sides of my looms and it works great without blood-stained shredded selvedges.

Top O’ The Lamms Tie-up

Edited to add on 23 Dec 2019: I added some photos of how easy changing the tie up is with this method in a later post:

https://jeanelizabethstudio.com/the-never-ending-warp/

Also, here is the full play list of the four videos I did: Top O’ The Lamms Tie-Up Playlist on Youtube

I set my Toika up the same way, but used the pin anchors under the treadles instead of the beads. I will switch the beads out on the Glimakra one of these days as they sometimes break.

I didn’t come up with the idea, but I did come up with the cheery title. 🙂 Fitting because it makes me just as happy as the old Bing Crosby song that stuck in my head as I was setting it up. My Glimakra Standard has been this way for almost two years now and the 1987 Toika Liisa just a few months less. I still love it. More importantly, my back loves it.

Shortly after buying my Glimakra, I was down for about six weeks after hurting my back while reaching under the treadles to do a tie up. Around that time I read an article by Katie Meeks in the Oct 2017 Complex Weavers Journal about a tie up system that you do on top of the lamms instead of under the treadles. That got my attention! She gives credit to Kay Faulkner, Sara von Tresckow and Paula Williams. I knew I had to try it. I get for some people under the treadles is easy for them, but I’m 5′ 7″ and tried all kinds of advised positions and tricks and none of them worked for me. Before you read further, please note! This is what I did for my Glimakra Standard and then my Toika. You will have to figure out your own measurements. Please do not just use mine without checking first because your loom may be different and I went on the long side, so if you’re being thrifty with your Texsolv, keep that in mind. It also depends on whether you use beads or anchor pins and don’t forget to take the knot into account. You’d be surprised how much Texsolv a little overhand knot takes up. All that said, I hope this helps because it’s changed my weaving life. For real. I did add photos of all my measurements at the bottom of the post, but please just use them as a starting point.

Template for cutting the Texsolv.

The photos were difficult to see in my hard copy issue, so I went looking and found Kay’s blog post on the subject.

I kind of morphed a few ideas together and this is what I came up with. I made a board with nails 25″apart, but realized I had several pieces that were a little more than double that, so my pieces are 25″ plus 5 “button holes” as noted in picture.

I didn’t want to use as many buttons as Kati did and I had all the pony beads from doing the Vavstuga method, so I used those to secure the ends of the Texsolv under the treadles on my Glimakra. On top of the treadles I inserted a 1/4″ dowel so the loose Texsolv would remain tight to the bottom of the treadle and not be dragging around in the dust bunnies under the loom. I had a problem with the dowels sliding back while weaving, so I stuck an anchor peg behind it. You’ll see later that I did it differently on my Toika. I haven’t changed the Glimakra because it works so why mess with it.

A dowel on top of the treadle keeps the Texsolv from dangling beneath so cleaning is easier. The anchor peg at the end of it is to keep the peg from sliding back.
With the treadle on the floor, I have five inches extra for my Standard. Don’t forget to take knot and looping bead into account!

I fed the Texsolv up through the treadle, up through the corresponding hole in the lower lamm and then the upper lamm. I tied a knot at the top of the cord so it can’t fall back through. The knot holds well and it’s easy to take out if you need to. It also doesn’t scratch or get caught up in the lamms as another bead or arrow pin might.

Kati Meek suggested a low stool in her article. I happened to see one on sale the same day at Hobby Lobby. It’s perfect when I need to tweak in the back under the warp. It’s also a great little shelf to hold things while I’m doing the tie up. Luckily, one of my kitchen chairs is perfect for sitting on to do the tie up from the front. NO BACK ACHE or leg cramps from trying to reach under the treadles. Heaven.

Even if you do the Vavstuga Method, try doing it upside down. You just can’t leave the texsolv cords for the ones you’re not using because the Texsolv will be too short. You’ll have to re-do for each project, but you’re doing that now anyway, so give it a try on your next project. I chose to buy more Texsolv and cut longer cords that I can just leave in my loom. All I have to do from now on is move the anchor pin to the correct position/lamm and I’m done. I do all of this after threading or sleying the reed, but before tying onto the cloth rod. I can sit right at the front of the loom in my kitchen chair and reach everything perfectly. If I need to tweak the shed after I get started weaving, I have the little stool that I put in the back by the treadles and it’s SO MUCH EASIER than trying to reach under the treadles for me. I keep a card on my loom cart that helps me when I do need to tweak the tie up to get a clean shed. It’s at the bottom of this post. Feel free to download and print it. I will note, I worry more about the bottom of the shed than the top of it. As long as my shuttle has room and a flat bottom of the shed to glide along, I’m happy.

A note on the markings: When I set it up, I used the markings on my Vavstuga cords to the new, longer cords by lining up the bead end and then marking the corresponding marks. If I were to do it over again, I wouldn’t put the markings on yet.  I don’t even use the marks on the Texsolv anymore. When you do your first tie up, set your first treadle so that the top of the treadle is even with the bottom of the foot beam. Pin that in place at the furthest back lamm. I do the next one forward at the same and then the next two I go one hole looser and so on. The Texsolv should gradually get looser as you go from the back to the front. Once you’ve woven a few warps and know where you like your treadles, you can mark them if you want. I honestly pay no attention to the markings anymore. I have had a perfect shed first time almost every time, but when I do have to tweak the tie up, it’s so much easier to get to it on top of the lamms instead of under the treadles. I wouldn’t worry about marking the Texsolv at first.

One thing that concerned me is what would happen with the shafts that I wasn’t using. Say I’m only using 4 of the 8 shafts currently on my loom. To balance them I attached them to the two plain weave treadles as if they were part of the pattern. It doesn’t affect my shed at all. I just wanted to see if I could truly leave the cords on “permanently” without having to worry about it when I switched between 4 and 8 shaft drafts and I’m happy to report I do it all the time.

I did a couple of videos that might help. I messed up the placement of the anchor pins in this first video. I forgot it was upside down. The second video corrects it. I’ll state again what I did above… if I had it to do over again, I wouldn’t worry about marking the Texsolv until you’ve woven a bit and know exactly where you want them, but that’s your choice:

In the pictures I’m using arrow pins. You can see in the video I’m now going to use the anchor pins, but I honestly don’t think it matters. Either works just fine.

Here are the measurements I used. PLEASE NOTE! This is on my loom, a 2014 Glimakra Standard with 8 shafts and 10 treadles and set to where I like the treadle height to be. Please just use this as a starting point to figure out your own set up.

Quick sketch of my Texsolv

When I did my Toika Liisa a few months after the Glimakra, these measurements wouldn’t work. I didn’t use beads under the treadles. I used anchor pins. I don’t change them, I still change the ones on the tops of the lamms, but I like them holding the Texsolv under the treadle because it stays put without a dowel on top of the treadle and the ends aren’t dangling on the floor when not in use. Just makes it harder to sweep under the loom when all those danglies are there. 😉

Look at that clear view to do the tie up!


Here is the cheat sheet I have by my looms. I step on a treadle, look down the shed from the side. When I see threads that look higher or lower, I wiggle the shafts up and down and watch the threads to see which ones need to be adjusted and then use this chart to make adjustments to that treadle. It’s easier if you have someone to step on the treadle for you, but I’ve done this alone many times:

Lazy or Efficient? You be the judge

At the end of a weaving project, when there’s still some warp left on the loom, I pull cones of yarn from my stash and weave with them to see what kind of fabric I’ll get. At the end of the table runners I cut off the big loom a couple of weeks ago, I tried a mill end that had been on the shelves for a while. It’s a gorgeous linen blend and I thought it would make great yardage for tote bags. Any weaver will tell you that the cloth isn’t finished until it’s been wet finished (washed). It still amazes me the change in fabric from off the loom to after it’s wet finished. It can go from cardboard to cloth with magnificent hand and drape. This fabric couldn’t have surprised me more. It’s way too luscious for a tote bag. I wish I had more of the linen blend weft because I’d weave yardage for a jacket or skirt. Instead, I’ll have to settle for throw pillows. I just tied another very long warp on that loom to weave off the three cones of that linen blend. There will be plenty of warp left to weave some thicker cotton for tote bags and probably still more left for towels. This threading has been on that loom for almost a year now. After this, it’s time for something new, but it’s worked hard for me… table runners, place mats, pillows, totes, towels and blankets.

For my weaving friends: I’m lazy… or efficient… you be the judge. If there’s a shortcut, I’ll find it. I have a love/hate relationship with winding warps. If I’m winging it and creating color changes at the mill, I love it. If I’m winding for a specific project, especially one color warps for dyeing… not so much. Over the years I’ve changed the way I wind a warp more times than I can count. I have a plethora of DIY threading stations and I change them up depending on my mood (pic above) or the type of bobbin or cone the yarn is on. I try new things as I hear about them on the weaving forums or as I learn them in workshops. Some stick, some don’t. I really want to love winding with the tubes vertically because it’s so simple to switch them out of the holder. I get a lot of twist when I do that though. My warps beam smoother if I wind the tubes from a horizontal position, so that’s usually what I do. There are a lot of ways to do everything. I say that the way that works for you is the right way. If you paint or knit or weave, there will be people that tell you, “Oh… that’s not the the correct way…” I’ve heard it plenty myself. If you end up with a painting, a sweater, or a stable piece of cloth that you are happy with, then you’ve done it right.

I never got the hang of a warping paddle. To be honest, I didn’t try that hard because what I do works for me. I almost always wind with at least two threads in the cross. Most of the time I have four. Sometimes I feel reckless and go with six, but 2-4 is my comfort zone. I just hold them together and get them on the mill winding all four together into the cross. I’ve done this hundreds of times and have never had a problem, but I’m still told it’s not the right way to do it.

I also don’t use a guide string…. I can hear the gasps from here. lol. They get in my way and I always end up forgetting about them and tying them into the warp before pulling it off the loom anyway and then I’m lost for winding subsequent bouts for that warp. I came up with my “connect the dots” method. I painter’s tape on the uprights of my mill. When I wound a warp, I would mark the length along it’s path on the uprights and then when I wanted another warp that length, I’d just connect the “dots.” Again… I’ve done this I don’t know how many times, but it’s A LOT and I have never had a problem. Here you can see a warp wound this way… two halves wound separately (I only wind 8-10″ worth of warp per bout) and they are exactly the same length:

Click on the pic for close up. You can see my connect the dot painter’s tape in this picture as well.

Recently I started using the following method more: I know my mill is 30″ across. I figure out how many times 30″ goes into whatever length I want and I count sides as I wind. So… say I want a 10-yard warp… 10×36 = 360/ 30 = 12 sides. I usually add one more side for safety sake. Better too long than too short and it gives me sampling room at the beginning or a warp or play room at the end…. So I need 13 sides. I don’t count the first bit from the cross pegs to the first upright. That is an automatic 22″ on my mill. I count that as my built in my loom waste. So, I start the cross, go to the first upright and then start counting as I pull the yarn at a slight angle upwards across to each upright after that until I hit seven. I add the path to the painter’s tape so it’s there next time I want that length. Lazy or efficient… I don’t know, but it works for me. I’ll just let that sit for a while before I confuse you more with how I usually wind my towel/blanket warps double the length I need, with a cross on each end and fold them in the middle. Man, does that speed things up. Especially if you’re winding symmetrical stripes. 🙂